Over the years, I’ve gone from shooting ten or so rolls of film on vacation, being careful not to waste space because processing 36 photos plus the cost of the film was $15, to 500 photos a day thanks to the digital age, where we shoot from every possible angle, at every reasonable setting, sometimes in threes for HDR, (how much storage do you have?), to a much more reasonable between 10 to 50 at sunset, if the light keeps changing, finding a few perspectives which use the color in the sky to the best advantage. What a relief for me and the storage drive on my computer, which after 3 years of collecting images, is really getting full. Time to delete.
Which takes more time than you think, because there’s a possibility that you missed something the first time around, or you’ve learned something new about how to edit. So, you need to look at your files before you delete the 500 you took on the Lake in August of 2011, or the 800 you brought home from Italy. Trust me, it’s very time consuming.
But…imagine when you start bringing some of the images up in Raw, using new techniques, and create a much better image than your first version. I started processing images in Jpeg in Photoshop 2.0 in 2006. I switched to RAW files in 2012, and upgraded to Photoshop CC last December. I’ve read tutorials, played with settings, and finally gotten a good handle on how to get the most out of a photo. Take for example the photos in this series. The first one, above, is an image that has a beautifully balanced histogram. I darkened the highlights a bit, lightened the shadows, and voila’, a lovely sunset.
The next photo is a longer exposure which was done to soften the slight movement in the water, making the surface of the Lake looked dreamy. But with a longer exposure, the highlights blow out a bit, and you lose the color around the area where the sun is setting. So, to make myself happy, I took the sky from the first photo, and copy/pasted it over the sky on the longer exposure to create the image below. I think. It’s all subjective, isn’t it? Now if I had taken one photo in RAW, I probably would have been happy with the image. But when you’re shooting water, sometimes that dreamy look goes a long way. What do you think?